This Is The List That Rocks

The City Paper unveiled its list of the Top 21 albums of 2006 today based on careful calculations from staff picks (click #16 for my review of Belle and Sebastian's The Life Pursuit). As good as the list is in print, it’s even better online. I’ve already wasted the better part of an hour clicking on the wonderful Databot Listamatron. I love this thing! With a single click, it shows me that no other critic even considered Mastodon worthy of mention.

The Bloody Knee Jerk Albums of the Year List
1. Mastodon, Blood Mountain
2. Band of Horses, Everything All the Time
3. Belle and Sebastian, The Life Pursuit
4. Wolfmother, Wolfmother
5. Artic Monkeys, Whatever People Say I Am, That’s What I’m Not
6. The Decemberists, The Crane’s Wife
7. Islands, Return to the Sea
8. The Hold Steady, Boys and Girls in America
9. Yo La Tengo, I Am Not Afraid of You, and I Will Beat Your Ass!
10. Gnarls Barkley, St. Elsewhere

The Hold Steady’s Boys and Girls in America tops the CP list (#8 above), but other than Gnarls Barkley (#10, both lists), none of my choices resonated strongly enough to make the top 10. Three of my choices made the top 21, which speaks to the diversity of the critics and my list. As any good critic knows, there's a world of difference between studio and stage, so even though I ranked Wolfmother's album ahead of the Hold Steady this year, I was at the North Star for the Hold Steady and not the Electric Factory for Wolfmother on November 21, 2006. That said, both bands turned in fantastic performances at Lollapalooza in August.

Mastodon’s Blood Mountain reigns as my pick for album of the year because it’s been a long time since an album’s had me running around the room making train noises and ramming my head into the wall. Blood Mountain kicks so much ass that I couldn’t justify denying it top billing on my list just because Mastodon left Philly off their tour. Relapse Records (Mastodon’s label) is based in Upper Darby with a store just off South Street, and the band still skipped us. Unconscionable. Nonetheless, great music will prevail and I’m proud to say that I was the only reviewer putting Blood fuckin’ Mountain on my list, and number 1 to boot (black steel-toe, to the head).

It is impossible to hear every record released in a given year. I missed the Art Brut boat in 2005. Bang Bang Rock N Roll was released stateside in 2006, but putting it on my list would be akin to breaking my hip (Ha!), and I fear the wrath of Pelusi. Likewise, I only picked up Clipse’s Hell Hath No Fury CD last week (after CP polls were closed). Holy shit, this is a fine piece of work. Maybe I’m crazy, but I would rank it #4, which means that Gnarls gets bumped.

It’s a top 10 list, not a top 100 list, so the following albums although quite good, didn’t make the cut: Ghostface Killa, Fishscale; Regina Spektor, Begin to Hope; Cat Power, The Greatest; M Ward, Post War; The Flaming Lips, At War with the Mystics, and 80 albums I’m forgetting. Cat Power’s album is amazingly beautiful, but my approach to these end-of-year lists precludes me from including it because I rarely have the desire to listen to it. It collects dust along with 88% of my CD collection, and I skip its songs when they come up on my iPod (although I don’t go so far as to remove them). Pretty songs put me to sleep.

It’s A Material World Award
Tool, 10,000 Days
Regardless of the quality of the music inside, the packaging on a Tool album is always a work of art. Be it the magic motion inserts on Aenima, the multi-layered psychedelic medical booklet for Lateralus, or the fold-out viewfinder on 10,000 Days, thes artwork is innovative, visually stunning, and recalls classic LP covers, such as the zipper on the Rolling Stones' Sticky Fingers and the wheel on Led Zeppelin III. Using the compact disc format to its full artistic potential is one way to discourage illegal downloading, and downloading in general.